This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.

This is the first volume to appear in the Cambridge edition of the works of John Webster, beginning with the plays The White Devil and The Duchess of Malfi. The following volume planned for publication will include the other plays as well as the poems and prose. While both The White Devil and The Duchess of Malfi are available in modernized versions, the Cambridge edition incorporates the more recent editorial scholarship including valuable information on Webster's biography, critical methods, and textual theory. In particular, the edition integrates theatrical aspects of the texts with their bibliographical and literary features in a way not previously attempted for a scholarly edition of a Jacobean dramatist. The edition also presents previously unpublished material including a fragment of an otherwise lost play and a hitherto unknown poem and provides a brief biography of Webster, a history of the Webster canon, and reception history for each play.

This is the second volume to appear in the Cambridge edition of the works of John Webster and includes The Devil's Law-Case, A Cure for a Cuckold and Appius and Virginia. This critical edition preserves the original spelling of all the plays; incorporates editorial scholarship, including valuable information on Webster's share in the collaborative plays; and employs alternative critical methods and textual theory. In particular, the edition integrates theatrical aspects of the plays with their bibliographical and literary features in a way not previously attempted in a scholarly edition of a Jacobean dramatist. The edition presents all of Webster's plays (with the exception of those collaborative plays already published in the Cambridge editions of Dekker, and Beaumont and Fletcher) and provides a brief biography, an account of Webster canon, illustrations, and critical and theatrical history of each play.

The second volume in the Cambridge Edition of the Works of John Webster contains The Devil's Law-Case, A Cure for a Cuckold, and Appius and Virginia. This critical edition preserves the original spelling and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays. In particular, it integrates the plays' theatrical aspects with bibliographical and literary features.

This is the fourth and final volume of the Cambridge edition of the works of John Webster. It contains four plays Webster wrote in collaboration, one - Sir Thomas Wyatt, a historical tragedy based around Lady Jane Grey - as part of a team of five led by Thomas Dekker, two - Westward Ho and Northward Ho, city comedies that prompted Chapman, Jonson, and Marston's Eastward Ho - with Thomas Dekker alone, and one - The Fair Maid of the Inn, an Italianate tragicomedy of which Webster wrote the largest share - with John Fletcher, Philip Massinger and John Ford. With the inclusion of these four plays, this Cambridge edition becomes the first complete works of John Webster. The edition preserves the original spelling of the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including information on Webster's share in the collaborative plays, and new critical methods, textual theory, and theatrical analysis.

The book follows exactly the tried and tested format of the earlier "RAF Bomber Command Losses" series both in content and the way the book is organized and presented.
Each entry is set out in the same way with a sequence of entries for a single day. Losses are recorded by unit and then within each unit by the serial number of the aircraft involved. The entries are accompanied by commentaries, which are provided at appropriate points. The number of losses recorded in this volume will be somewhere in the region of 1,700. These will include aircraft from the RAF, the South African Air Force, the free French Air Force, and the U.S. Army Air Force, during the periods when these air arms were operating under direct RAF control.
This book is the first of two projected volumes covering the Bomber Commands losses in the Middle East and Mediterranean during the war. A further volume covering 1943-1945 is projected to follow this one.The distinction relating to the units included in these volumes is particularly important in relation to the USAAF, as its period under RAF was brief. This series will sell well to aviation historians, especially those interested in Bomber Command.

This is the fourth and final volume of the Cambridge edition of the works of John Webster. It contains four plays Webster wrote in collaboration, one - Sir Thomas Wyatt, a historical tragedy based around Lady Jane Grey - as part of a team of five led by Thomas Dekker, two - Westward Ho and Northward Ho, city comedies that prompted Chapman, Jonson, and Marston's Eastward Ho - with Thomas Dekker alone, and one - The Fair Maid of the Inn, an Italianate tragicomedy of which Webster wrote the largest share - with John Fletcher, Philip Massinger and John Ford. With the inclusion of these four plays, this Cambridge edition becomes the first complete works of John Webster. The edition preserves the original spelling of the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including information on Webster's share in the collaborative plays, and new critical methods, textual theory, and theatrical analysis.

This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply-felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.